Oct 19, 2017

World a Day, #10

Series name: Balboa Point

This one was interesting, it’s the first time I’ve done a setting where combat was really de-emphasized. I ended up being inspired by Pacifica and other California coast towns – you can see some of Cayucos, Monterey, Pacifica, and driving through the hills on 280 blended into this setting. I felt like I had a real sense of place while writing this, I could visualize a lot of the elements.

I’ve never lived in a small town, so I might have missed the mark on some of the “small town, intolerant local elites, homogenized populace” vibe that this has. If so, apologies! But it was interesting to me to have that small, partially-isolated populace, where it was conceivable to ascribe the social ills to a specific few organizations, and imagine them having that much influence almost all across town.


This also seems like a good spot to talk about what I’ve learned from doing these settings. First: I take a loooong time on these. Thankfully the gamified version of this worldbuilding moves much quicker – I think part of it is that it’s slower building ideas solo, and I go deeper into each element than during the gamified version. That’s been one of the biggest reasons this was so infrequent, I think this setting is the result of about six hours of work, thereabouts.

Second, this really is the kind of thing that I enjoy. When I started all this, I put more energy into building the episode system, the world-building just had to come first, so I built that out first. I think I’ll still enjoy making episodes whenever I do that, but this is the interesting stuff for me: planting story hooks, building the world, setting up the characters. The ideas rather than the execution, I suppose.

Anyways, here’s Balboa Point – hope you enjoy it! As always, the Infinitarium rules set is here, and the world-generator itself is here.


(Minor CW: Some misogyny and swearing.)
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The Grizzly Bear Diner is a chain in town, two locations. They have a full-sized grizzly bear in them, stuffed – but headquarters didn’t have enough for them, so they had to split. Each of the two locations have half a bear, divided head to navel. At the friendly HQ, it’s propped up by the bathroom, angled so that while you’re eating, it looks like there’s a full bear; when you go to the bathroom, as you walk into the hallway, there’s a half-second where you’re at the right angle to see the flatness of its missing side.

The Cabrillo Grizzly Bear Diner sits on Highway 1, a dirt turnoff right into the parking lot of the diner. Across the highway, on the western side, there’s a metal railing and an immediate dropoff down to water; you can sit at one of the window tables in the diner, and look out at the ocean. At night, it’s just a black void, occasionally broken up by the lights of a ship going by in the distance, passing as it sails towards San Francisco or Oakland. On some nights, the moon comes out; on some nights, you shiver as the light on the water is cut off by clouds passing the moon. On some nights, the fog rolls in while you’re drinking your coffee, and when you leave and go back to your car, the cold is something wet that you walk into, and you drive home at fifteen miles an hour because you can’t see anything.

But as long as you sit in the diner and don’t look outside, it’s a home, it’s bright and cheery. The coffee refills are free, and your water gets refilled as soon as it dips below half-full. They aren’t crowded at night, but there are always a few teens and college students there, and no one minds if you get loud or play a board game all night. It’s a home. It’s a family. Don’t look at the bear too closely. It’s friendly. Don’t look.

The Pismo Grizzly Bear Diner is on the other side of town, nestled on the eastern side, within walking distance of the town’s high school and community college. One side of the Diner borders Pismo Creek; here it’s just eight feet wide, three feet deep, with both banks entirely covered in underbrush. It doesn’t move much, but sometimes a few kids will put an inflatable raft in the creek and paddle out to where it meets the ocean.

The Pismo Grizzly is always loud, and when the OBA brings a group here to celebrate after an activity, it gets louder. The lighting here is brighter than in the Cabrillo Grizzly, more like a restaurant than a diner, and the tables are porcelain white, instead of imitation wood. They get regular shipments of crayons and paper placemats for kids to draw on.


The 1 is a bar and motel further up Highway 1, technically just outside of Balboa Point. It caters to the weekend bikers and other folks just passing through – everything from the name to the clientele ruffles most of the folks in Balboa Point. It’s especially a problem because it competes with the town’s bed and breakfasts and beach house rentals. A fair chunk of the town’s economy is based off tourists, coming down for a summer weekend at the beach, visiting the art and wine festival, eating some fresh fish and the local cioppino, then driving back home on Sunday afternoon. A lot of those visitors choose to stay at the cheaper motel.

The 1 bar itself has a limited beer selection, but it has a pool table and a mini-shuffleboard set in the back room, and there’s a Good Humor ice cream freezer near the front. There’s a patio outside with an old, plastic table and umbrella, where patrons go out to smoke.

The bar and motel are the stomping grounds of Jade, an old python that the owner has kept for years. Jade spends most of her time in the heated tanks, one in the bar and one in the motel’s office, but occasionally she’ll choose another perch. She’s been known to climb up to the rafters, and some newcomers to the bar get a jump-scare when they notice her up there, staring down at them. Jade is a respected matron of The 1, and if anyone taps on her glass trying to get her to perform, they’re going to get thrown out with prejudiced. The bikers and regular patrons of The 1 are as protective as the owner, and if she chooses to slither somewhere, she’s allowed there, no questions asked.

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The Older Brothers Association: It’s an after-school organization, a department of the local government that pushes kids and young adults to participate in scout-type organizations, clean-up programs, etc. It’s for both genders, but little things add up, it’s understood that it’s weighted towards the boys. It’s common to see one of their trolleys, painted in the OBA colors, going somewhere. They go places, even when most of the town doesn’t go out much, they’re active in the afternoon and early evening, and on school nights.

These activities double as… not quite indoctrination, it’s not that obvious, but people are harmonized. They settle down. They marry early. They wait for marriage. They follow a gender binary and view only heterosexual relationships as natural. They take the Protestant heritage of the town seriously. The faction jealously looks out for any influence from Catholics, Jews, Muslims, or any other denomination. They The other is made to conform, or it is ostracized.


Faction 1: The Chamber of Commerce Advisory Board. Many of the graduates of the OBA are invited to join the Board, exclusively men. They go to bars and drink, and they flirt at the waitresses, and they drink, and maybe once a month someone gets in an argument into a fight with an out of towner, or someone who isn’t part of the Board.

The Balboa Point Chamber of Commerce is driven by the members of the Board, and the members start dressing alike, and especially, accepting the hazing that is their tradition. Humiliation and physical abuse are normalized for new members, or the losers in the fantasy league. “Don’t be a bitch,” they say. “A few punches never killed anyone.” And on Monday, Jeff will show up, wearing the same shirt as the ones who beat him, and he’s bruised, and he’s smiled.


Faction 2: The PTA. The mothers and teachers of the town, the smiling women whose only jokes are about what their husbands can’t do. In Balboa Point, only the women go to the PTA meetings – mostly. Sometimes a new family will show up and men will try to join, or a new parent will join. But only the women go to PTA meetings. They will compliment each other on the new outfits, the new activities they’ve taken up – everything changes constantly, a war of surface reinvention for compliments. They smile, and someone presents the agenda, and they vote on it. And something changes. And something changes. And.

Faction 3: The weekend bikers. They come through from other parts of California, stopping in Balboa Point for a meal or occasionally a night. The Board gets in fights with them, and the PTA looks up her noses at them, but they keep coming. The OBA actually doesn’t mind them – they make a valuable moral counterpoint, with the occasional deaths on the road emphasizing how such a lifestyle has a sharp end. They’re friendly to the party.


Faction 4: The discussion. The discussion is about whatever it needs to be about; it invites members from the OBA, the Board, and the PTA. It keeps things running. When there are conflicts at home between Board and PTA members, the discussion is about them. When the bikers spend too long in town, the discussion is about them. When someone outside the groups is getting into trouble, the discussion is about them.

The discussion happens at a former Chinese restaurant in Balboa Point; the architecture stayed, but the interior was gutted, becoming a new restaurant dominated by glass sculptures, bending the light through them, making it look oily. It’s a weird contrast, because the sculptures look like they should be in a fancy restaurant, but the tables and the wallpapers are unassuming.
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The series begins with the disappearance of Freddy Hudson, a prankster who left the OBA shortly after his parents made him join. He was a freshman in college, going to the community college in Balboa Point. One day he was there, the next… not at class, not at the Cabrillo Grizzly with his friends, not calling his girlfriend Joanna.


Joanna Brooks is trying to figure out where he’s gone, and the more she opens her eyes, the more she sees how unsettling the town is. Her mother left Balboa Point as soon as she graduated high school, but after a divorce when Joanna was a year old, she moved back for help raising her daughter. She remarried, and although she didn’t join the PTA, her new husband is a member of the Board. Occasionally Joanna’s mother will start to tell a story about her time away from Balboa Park, but she’ll stop suddenly, smile sadly, and change the subject.

Joanna wears a black and red plaid button-down, one of Freddie’s old shirts, usually over a black tee shirt. When it’s especially cold, she wears a beanie. She’s got a pair of glasses with thick black frames, kind of a hipster look. Joanna’s nineteen, she’s towards the end of her freshman year at the community college.

Joanna isn’t in touch with any sort of power, but she’s able to pull together a group through her willingness to listen, and her determination to investigate. Almost everyone in Balboa Point has had an experience they can’t explain, something unsettling. When Joanna was asking around about Freddy, she went everywhere she could think and asked anyone that might know where he went, including to an old train yard; it’s been unused for decades but it used to connect Balboa Point to what’s now one of the Amtrak stops. There’s still an old train there, silver cars and a red-faced engine with wide windows at the top. She asked some of the passerbyes if they’d seen Freddie, but none of them had. She looked back to the train, and for a second, she thought she saw a face, and the jaws open, wider than the world, still tied to the tracks but rushing towards her, and someone said “Maybe he went to the city,” and she spun around and it was just one of the people she’d talked with. Whenever she thinks about the train at night, she can’t be sure that it’s still there, tied down by the tracks. Sometimes when the fog comes in, she hears the bell of a crossing, the screaming howl as the train approaches, and the pounding as it rolls along the track. She hasn’t forgotten that when she saw the train’s true face, it was emblazoned with the OBA’s logo on either side.

Joanna’s a former member of the OBA, and she does believe strongly in its stated goals of getting kids to help with public service and charity. She’s seen the misogyny of the OBA and the way it homogenizes people, and she’s determined to be an alternative role model for the kids in the organization. She’s especially worried about her younger half-sister, Cayla, who’s still in the organization. Cayla doesn’t open up about it, but she knows that she gets harassed for being wheelchair-bound. Sometimes she picks up Cayla from school, and she’s heard kids muttering about how long it takes to lower her wheelchair so she can get off the trolley. Joanna’s been tempted to start her own troop separate from the OBA; if she’s pushed hard enough, she might just do that.


Darrell Oliver is working with Joanna on this. His father is a troop master in the OBA, and Darrell had been an outstanding member of the OBA, leading a troop, helping organize activities, and mentoring younger members. It’s expected that after graduating college, he’ll join the Board and start being a troop master himself.

In preparation for that, he recently went to a Board hang-out at a sports bar, where his dad integrated him in, introducing him to some of the younger Board members, and encouraging him to get rowdy and loud with them. Eager to please, Darrell joined them, loudly flirting at waitresses, drinking competitively, and yelling at the game on the TV. When the Board was ready to end for the night, the younger members went out later, stumbling towards the Cabrillo Grizzly. From a distance, they watched as a few people left the diner, walking to their cars through the dark parking lot. One of them had an idea: The next person who leaves the bar, let’s… scare ‘em, right? It’s all freaks and geeks in the Cabrillo Grizzly. Make ‘em take the train.

Darrell’s ashamed to remember it, and he doesn’t talk about it if he can avoid it, but at first he went along with it. They stood between cars, invisible in the parking lot. It was the wait that gave him his spine back, waiting for the next person to come out. He tried to convince people that they shouldn’t do this; they looked back at him like he was joking, it’s just a prank, right? He spent a few minutes wrestling with it, watching a couple in the diner pay the check. As they were picking up, he mumbled that he needed to piss, stepping away from the group right as the couple left the diner, intentionally stepping weirdly so he loudly slipped and fell, alerting the couple that people were out there. The Board members scurried back to where he was, away from the cars. At first they were sure he alerted them intentionally, but fell back to just being suspicious after they saw him bleeding from the fall, then realizing he had a concussion.

Darrell’s new status quo is uncertain. As far as the older members of the Boardare concerned, he’s a golden boy, a future troop master. The younger members are suspicious, but they haven’t ostracized him. They’re just keeping a closer eye on him. Darrell himself is freaked out, though, certain that something’s wrong with the Board. He’d stop hanging out with the Board and former OBA members entirely if he could, but now he knows that suspicion would probably be dangerous. He’s taken to training pretty heavily at the gym and at a self-defense course to help him sleep without nightmares. When he moves through the forms, he feels something else moving in him, but he hasn’t been able to tell what it is. He didn’t know Joanna before all this, but when she asks him if he’s seen Freddie, he remembered the way the Board had seemed ready to kill; when he mentions that they said “Make ‘em take the train,” Joanna connects it with the train experience that she had.

Darrell is a stylish black man, a junior at the community college, well-dressed and in good shape. He’s got a good sense of humor, but his jokes sometimes cross the line into denigrating; it’s something he’s working on, he recognizes it’s what the OBA was trying to program into him. He’s spent a lot of his life trying to be stereotypically alpha, taking the lead in everything, and working out the leadership dynamic between him and Joanna will take some time.


Kent Carson is another OBA graduate; unlike Darrell, he’s stayed directly involved with the OBA in the post-high school years. He’s 19, but isn’t at community college, instead working as a trolley driver. During the morning, the trolley routes are optimized for students getting to school; in the afternoon, the trolleys deliver students to wherever the OBA activity of the day is; in the evening, they run from the activities back onto the normal routes for students to get home. Kent doesn’t get to help much with the actual events, but while the students are in school, he does often head to the activity site and help with setup.

Kent is a pallid white guy, wearing a denim jacket and jeans. His hair’s black and a little mussed, and he always looks like he didn’t get enough sleep. He’s friendly – or more accurately, he’s happy to talk with people, but if you talk with him too much, little facial tics will start to become unsettling. He doesn’t smile quite right, it’s a little too wide, and it’s hard for him to keep eye contact. Being a trolley driver is perfect for him, because he can call back to the kids, tell a joke, get them excited about today’s activity, all without having to maintain a conversation or be one-on-one with anyone.

Kent will never be a part of the Board, and it’s hard to imagine him as a troop master. Not the way he is now. The Board and the OBA leadership occasionally takes him along as a sop, since he’s working so hard to support the OBA, but he’s always just a bit off to the side. Usually he sits quietly at the table while people talk near him, or telling a story, “isn’t that right, Kent?” And he’ll laugh and nod, and the conversation goes on. Kent is aware of how he doesn’t fit with the jigsaw puzzle. Most days he tries to earn acceptance by putting in volunteer time. Kent knows a bit about the discussion he’s seen people take the train, and he knows that if he were less useful to the OBA, he might end up taking the train as well.

Sometimes he volunteers with the OBA because he wants to matter; sometimes he just wants to stay out of the discussion. Either way, he’s the main opposition to Joanna’s investigation. Unlike most of the OBA elect, he spends time at both the Cabrillo and Pismo Grizzlies. The Cabrillo is a better place to sit alone in the quiet, so he spends time there. He’s heard Joanna and Darrell talking about their experiences, and Freddie going missing. He’s going to follow them and find out what they know, and he’ll protect the OBA.


Once Kent brings up what he knows with the OBA and the Board, they’ll give him an ally: Alejandro Vasquez. Ro transferred to Balboa High as a junior, and ever since, he’s been one of the golden boys, straight As and varsity soccer. A few higher-ups look down on his history of racing over the weekends, but most dismiss it as just “boys being boys,” the kind of assertive attitude a Board member should have.

Ro maintains his cars himself, a souped-up Integra for racing and an F-150 for hauling parts and going off-road. He’s got a good head for spatial reasoning, and is better at detective work than most would expect, working off of when events happened and how quickly anyone could get between them. Kent initially thinks that Ro is just a flashy guy there to take over the investigation, but eventually realizes that Ro will be very helpful, and Ro doesn’t want to take things over. Ro’s also surprisingly friendly with Kent – collaborative, respectful.

Ro moved to Balboa Point in his junior year to live with his aunt and uncle after suffering a major head injury in the Bay Area. It’s unclear what happened to his parents, and if it comes up, he changes the subject, obviously stressed under the flashy smile. He doesn’t remember what happened, and that eats at him. He’s also eaten by what happened to his friend Christina. Christina was a Balboa Point native, and she wasn’t out about being a trans woman when she was in the town. Even though they were close friends (at least, Ro thought so), Christina wasn’t out to Ro, either. She left Balboa Point for the Bay Area the day after graduation, and in a few days, word came through the grapevine of parents and friends-of-friends that she’d begun publicly going by Christina. Ro was shocked, and had to start going through some serious reflection; one of his closest friends hadn’t felt safe coming out about that, even just to him. He’s started examining the way he treats people, and the way the Board treats people. He’s doing so quietly, which is why the OBA assigned him to work with Kent, and hasn’t faced the moment of decision like Darrell did, but he’s thinking about it.

[Quick note on this: Even if someone is a close friend and you trust them, you aren’t obligated to be out to them. This is about Ro reflecting on the environment he and his friends created, where people didn’t feel safe coming out.]


Judy Townsend is an early-30s teacher at the community college, and part-time troop master. She’d been a troop master since graduating from college, and gotten married young to Walter Holt, another troop master. Walter joined the Board, and eventually been invited to be part of the discussion

Judy was one of Freddie’s teachers, and in the days before he disappeared, Walter started asking about him. Nothing too probing, but they were questions about what Freddie was like, whether he was a good influence, what he wrote about in her creative writing classes. Then, suddenly, he was gone. Judy’s suspicious that Walter knows what happened, maybe even caused it to happen, and she’s started spending time at the oceanside to think, including the Cabrillo Grizzly. Her writing has been troubled, with an undercurrent of the supernatural, the unsettling, and imagery of trains. Once she learns that Joanna is investigating Freddie’s disappearance, she’ll join up, even if it means investigating her husband.


Jon Chavez will be the member of the group most willing to believe in any supernatural or superstitious explanation. Jon’s still a member of the OBA, a senior in high school and a mentor for the younger OBA members. To them, his superstitions are entertaining, things like always needing to leave a place clean to avoid angering anything that lives there.

Jon’s always been a bit unsettled. Unlike most of the OBA, he’s a practicing Catholic, and because of it he probably won’t be a troop master. He’s very protective of the younger members of the OBA, and they make fun of how much of a worrywart he is.


Marcus is one of the few people in town who didn’t join the OBA – he gets intense migraines, not enough to hospitalize or entirely keep him home, but being outside in activities during the daylight is not a great idea. Some days he’ll be fine, others he’ll need to rest. He’s grown up socially isolated as a result, and has taken to walking to the Cabrillo Grizzly when he can’t sleep.


Marcus is a lot younger than the rest of the team, just a freshman in high school. No one knows it, but he’s Walter Townsend’s son – his mother never told him or anyone else, as Walter and Judy were already together at the time. Little things that his mother occasionally says make Marcus think that whoever his father is, he did something to make his mother keep his identity a secret. He’s unsure whether this was just intimidation or something supernatural. 

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